Gimme Your Ten Cents (Opinions Wanted)

On principle, I don’t submit scripts to opportunities that require a submission fee. While still a student, I was strongly (and smartly) advised to never submit to anything that requested money, and I have remained thankful for that advice ever since. A writer could go broke paying submission fees, and what’s more, it should be a theatre or organization’s pleasure to read our work. Yes, it requires time and resources on their end, but that burden should not be passed along to the writer; we’re no more suited to handle that financial strain than they are.

business-money-pink-coinsPostage and printing costs aside, I have never in nine years paid a submission fee, no matter how little the fee or how awesome the opportunity.

Here’s the dilemma:

There’s a deadline towards the end of this week for one of Max’s resubmissions. It’s for a fairly good short play festival put on annually by a prominent organization, and I have submitted to it more than once as myself. Turns out that in the years since I last applied, they now require a submission fee.

The amount they are asking is nominal, but this organization is well-known and I find it hard to believe they’re too strapped for cash to otherwise fund the application process (for reading SHORT plays, mind you). What’s more, they are one of these festivals where, if accepted, you are expected to self-produce and mount your entire production, footing all the costs for props, costumes, AEA transportation reimbursement, and rehearsal space. I’ve done these sorts of festivals before, and if I’m lucky, it costs me only $200—often more—to do even the most basic production. And in the case of this festival, there isn’t any sort of stipend, shared ticket money, or even prize money being offered. For a well-established organization to ask for a submission fee for this type of opportunity is like rubbing salt in the wound; this was already a really raw deal.

Normally, I’d run screaming in the opposite direction from this sort of submission. But…the project. I want Max to reapply to as many of my previous submission opportunities as possible. A part of me feels like the fee is nominal, and I’d be paying it for the sake of the project, and I should just suck it up and pay it. Yet at the same time, giving my money feels so wrong, and I don’t want to support the notion that it’s okay to charge writers for submissions. Plus, Max is only applying to things that I, myself, would apply toand I’d never apply to this (not under these circumstances).

So, I’d love to hear your thoughts. Do you think submission fees are justified? Do you hate submission fees but think I should pay it, just this one time, since it’s nominal and for the sake of SLAM? Or do you think Principles Above All, and that by charging a fee this submission op has disqualified itself from being part of the project?

Leave your ideas in the comments below, or get at me on Twitter @theSLAMblog using #MaxMustApply or #SaveYourMoneyMax.

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4 thoughts on “Gimme Your Ten Cents (Opinions Wanted)

  1. As Max, I’d write to the competition giving a simple explanation for why you object to a fee, and then asking for THEIR explanation for why their policy has changed. They might have a valid reason, such as a former funding source having ended, etc.,

    Liked by 1 person

    1. That’s a good idea. Would be interesting to write them one letter as myself and one as Max, and see if the responses are any different. (Could even be an alternate to actually applying as Max with a script.)

      Like

      1. Yes. Do that. Two letters, one as Max, one as you. It preserves the spirit of the project, maintains your integrity, and would be really interesting to boot.

        Liked by 1 person

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